Fattâne Hâjj Seyyed Javâdi’s Bâmdâd-e khomâr: Trivial Novel or Serious Fiction?

Claus Valling Pedersen

doi:10.4467/20843933ST.16.004.4898

Fattâne Hâjj Seyyed Javâdi’s Bâmdâd-e khomâr: Trivial Novel or Serious Fiction?

Department of Cross-Cultural and Regional Studies

Abstract

This article aims to show that Fattâne Hâjj Seyyed Javâdi’s novel Bâmdâd-e khomâr (“The Morning After”) is not a trivial novel, as some literary critics have it, but a modernist, well-written novel that treats modern conceptions of love, sexuality and tradition in an indirect, but still obvious way

Original language	English
Journal	Studia Litteraria Universitatis Iagellonicae Cracoviensis
Volume	11
Issue number	1
Pages (from-to)	27-31
Number of pages	5
ISSN	2084-3933
DOIs	https://doi.org/10.4467/20843933ST.16.004.4898
Publication status	Published - 30 Jun 2016

Access to Document

10.4467/20843933ST.16.004.4898

http://www.ejournals.eu/Studia-Litteraria/2016/Issue-1/art/7368/

Cite this

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abstract = "This article aims to show that Fatt{\^a}ne H{\^a}jj Seyyed Jav{\^a}di{\textquoteright}s novel B{\^a}md{\^a}d-e khom{\^a}r (“The Morning After”) is not a trivial novel, as some literary critics have it, but a modernist, well-written novel that treats modern conceptions of love, sexuality and tradition in an indirect, but still obvious way",

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