Abstract
This article aims to show that Fattâne Hâjj Seyyed Javâdi’s novel Bâmdâd-e khomâr (“The Morning After”) is not a trivial novel, as some literary critics have it, but a modernist, well-written novel that treats modern conceptions of love, sexuality and tradition in an indirect, but still obvious way
Originalsprog | Engelsk |
---|---|
Tidsskrift | Studia Litteraria Universitatis Iagellonicae Cracoviensis |
Vol/bind | 11 |
Udgave nummer | 1 |
Sider (fra-til) | 27-31 |
Antal sider | 5 |
ISSN | 2084-3933 |
DOI | |
Status | Udgivet - 30 jun. 2016 |