Abstract
The article investigates how the theories of Bertolt Brecht mainly about the reflection an audiences is supposed undertake during a performance, coincides with the actual situation of experience, using a historical analysis of the opening night of the Threepenny Opera as the case.
| Translated title of the contribution | Skillingsoperaen: Performativitet i Brechts tilstedeværelse mellem musik og teater |
|---|---|
| Original language | English |
| Title of host publication | The Legacy of Opera : Reading music theatre as experience and performance |
| Editors | Pamela Karantonis |
| Number of pages | 24 |
| Volume | 7 |
| Place of Publication | Amsterdam |
| Publisher | Brill | Rodopi |
| Publication date | 2013 |
| Chapter | 8 |
| ISBN (Print) | 9789042036918 |
| Publication status | Published - 2013 |
Keywords
- Faculty of Humanities