Abstract
The article investigates how the theories of Bertolt Brecht mainly about the reflection an audiences is supposed undertake during a performance, coincides with the actual situation of experience, using a historical analysis of the opening night of the Threepenny Opera as the case.
| Bidragets oversatte titel | Skillingsoperaen: Performativitet i Brechts tilstedeværelse mellem musik og teater |
|---|---|
| Originalsprog | Engelsk |
| Titel | The Legacy of Opera : Reading music theatre as experience and performance |
| Redaktører | Pamela Karantonis |
| Antal sider | 24 |
| Vol/bind | 7 |
| Udgivelsessted | Amsterdam |
| Forlag | Brill | Rodopi |
| Publikationsdato | 2013 |
| Kapitel | 8 |
| ISBN (Trykt) | 9789042036918 |
| Status | Udgivet - 2013 |
Emneord
- Det Humanistiske Fakultet
- Brecht, Bertolt
- Performativitet