Petar Mitric

CV

Education

2015-2018: PhD Fellow, University of Copenhagen

2011-2013: MA in Global Studies, University of Vienna/Roskilde University

2006-2007: MA in Film History, Central European University 

Research Stays

October 2012 - December 2013: Austrian Film Institute, Vienna

March – June 2013: European co-production fund Eurimages, Strasbourg 

January – September 2012: Danish Film Institute, Copenhagen

Scholarships and grants 

2016: Grant by the Center of Modern European Studies (CEMES) for organizing the European Co-production Symposium and establishing the Co-production Research Network (CoRN)

2011: Erasmus Mundus grant (Category A) awarded by the European Commission

2006-2007: The CEU Master’s Scholarship

Other activities 

Editor of the Danish research journal Tidsskrift for Medier, Erkendelse og Formidling since 2016

Producer for production company Ignis since 2014

Reporter at the Medici workshop – Film Funding Journey since 2012

Member of the audience design research project CineLine 2014

Film critic for monthly Serbian journal Think-Tank -  Časopis za Balkan 2007-2011

Short presentation

My research focuses on European co-productions and co-production treaties. I am particularly interested in exploring the interplay between Europeanization and globalization as well as the interplay between politics and industry that have been determining co-production practices and policies in the past ten years. My PhD project deals with what I identify as the second generation of co-production agreements which includes a corpus of recent and innovative co-production arrangements that keep pace with globalization, technological revolution and paradigm shifts within European audiovisual policies. The official title of my dissertaton is "The second generation of co-production agreeents in Europe". I am conducting my research under the supervision of the Associate Professor Eva Novrup Redvall. The project started on September 1, 2015 and ends on August 31, 2018. 

In 2016, I co-founded the International Research Network (CoRN) that gathers co-production scholars and practitioners from all over the world.

https://www.copro-research-network.org/events

Fields of interest

Film production

Co-production and co-development treaties and agreements

Audiovisual policies

European cinema

National cinemas

Creative development of film projects

Precarity within film industry

Teaching

I have independently created and taught the following course at the MA level:

Contemporary European Film and TV: Texts and Production