Wilhelm Freddie: Art and the Sexual Revolution

Abstract

The Danish surrealist painter Wilhelm Freddie has been seen within Danish art his- tory as an avant-garde artist provocatively and heroically challenging bourgeois sexual norms with his challenging and explicit images. This essay provides a slightly different reading of his work, situating it within a larger cultural and historical framework and discussing it in relation to sexuality, politics and aesthetics in Denmark in the 1930s and the 1960s.
Translated title of the contributionWilhelm Freddie: Kunst og den seksuelle revolution
Original languageEnglish
Title of host publicationA Cultural History of the Avant-Garde in the Nordic Countries 1925–1950
EditorsBenedikt Hjartarson, Andrea Kollnitz, Per Stounbjerg, Tania Ørum
Number of pages13
Place of PublicationLeiden
PublisherBrill | Rodopi
Publication date4 Feb 2019
Pages930-942
ISBN (Print)978-90-04-36679-4
ISBN (Electronic)978-90-04-38829-1
DOIs
Publication statusPublished - 4 Feb 2019
SeriesA Cultural History of the Avant-Garde in the Nordic Countries
Volume2
ISSN2214-0808
SeriesAvant-Garde Critical Studies
Volume36
ISSN1387-3008

Keywords

  • Faculty of Humanities
  • Wilhelm Freddie
  • Surrealism
  • Pornography
  • Visual Art
  • Cultural History
  • Sexual politics

Fingerprint

Dive into the research topics of 'Wilhelm Freddie: Art and the Sexual Revolution'. Together they form a unique fingerprint.

Cite this