Abstract
Over the last decades the notion of what painting is has been considerably widened due to intermediality, i.e. crossovers between artistic media such as painting and sculpture, painting and photography, painting and installation, painting and performance etc. This paper suggests that the transformation of the discipline of painting into an expanded field has not only liberated painting from its ties to its traditional repertoire of materials and modes of representation. It has also released a tremendous potential for image making that takes painting as a point of departure but moves beyond the limitations of dialogic intermedia into the field of transdisciplinary aesthetics. In support of my argument, I turn to the concept of remediation as it was first applied in new media theory by Jay David Bolter and Richard Grusin. The ambition is to develop an apprehension of painting not as an artistic artifact or 'medium-specific' practice, but as a critical remediating process - painting as remediated painting.
Translated title of the contribution | Det remedierede maleris transdisciplinære potentiale |
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Original language | English |
Title of host publication | New Imaging: Transdisciplinary strategies for art beyond the new media : Transdisciplinary Imaging Conference 2010, Sydney, Australia |
Editors | Su Baker, Paul Thomas |
Number of pages | 14 |
Volume | 1 |
Publication date | 2010 |
Edition | 1 |
Pages | 112-125 |
ISBN (Electronic) | 978-0-9807186-6-9 |
Publication status | Published - 2010 |
Event | The First International Conference on Transdisciplinary Imaging at the Intersections between Art, Science and Culture - Sydney, Australia Duration: 5 Nov 2010 → 6 Nov 2010 |
Conference
Conference | The First International Conference on Transdisciplinary Imaging at the Intersections between Art, Science and Culture |
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Country/Territory | Australia |
City | Sydney |
Period | 05/11/2010 → 06/11/2010 |
Keywords
- Faculty of Humanities
- remediated painting
- transdisciplinarity