Abstract
The main event of Roberto Bolaño’s 2666 is a feminicide in Santa Teresa, a fictionalized version of Ciudad Juárez, Mexico. In this essay I show how Bolaño approaches this event in a forensic way, not only in terms of content but also in its compositional and stylistic dimensions. The result is a blurring of fact and fiction, and in this very blurring the novel moves beyond an ethical paradigm of trauma and testimony and toward a political project of the twenty-first century.
Original language | Danish |
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Journal | Critique: Studies in Contemporary Fiction |
Volume | 58 |
Issue number | 4 |
Pages (from-to) | 437-448 |
Number of pages | 12 |
ISSN | 0011-1619 |
DOIs | |
Publication status | Published - 8 Aug 2017 |