Long Intonations and Kalophonia: Traces of stylistic development in Late Byzantine Echemata

Christian Troelsgård

Long Intonations and Kalophonia: Traces of stylistic development in Late Byzantine Echemata

SAXO-Institute - Archaeology, Ethnology, Greek & Latin, History

Abstract

The paper shows that the melodic material in quasi-improvised intonation melodies (echemata) in the period from c. 1200 to 1400 develop from being drawn from the traditional genres - especially the pasltikon and asmatikon - to acquiring a more free and decidely 'kalophonic' character.

Original language	English
Title of host publication	Eastern Christian Studies : Tradition and Innovation in Late- and Postbyzantine Liturgical Chant - Acta of the Congress held at Hernen Castle, the Netherlands, in April 2005
Editors	Gerda Wolfram
Number of pages	14
Volume	8
Place of Publication	Leuven/Louvain
Publisher	Peeters
Publication date	2008
Edition	1
Pages	65-78
ISBN (Print)	978-90-429-2015-6
Publication status	Published - 2008

Keywords

Faculty of Humanities

Cite this

Long Intonations and Kalophonia: Traces of stylistic development in Late Byzantine Echemata. / Troelsgård, Christian.
Eastern Christian Studies: Tradition and Innovation in Late- and Postbyzantine Liturgical Chant - Acta of the Congress held at Hernen Castle, the Netherlands, in April 2005. ed. / Gerda Wolfram. Vol. 8 1. ed. Leuven/Louvain: Peeters, 2008. p. 65-78.

Research output: Chapter in Book/Report/Conference proceeding › Book chapter › Research

Troelsgård, Christian. / Long Intonations and Kalophonia : Traces of stylistic development in Late Byzantine Echemata. Eastern Christian Studies: Tradition and Innovation in Late- and Postbyzantine Liturgical Chant - Acta of the Congress held at Hernen Castle, the Netherlands, in April 2005. editor / Gerda Wolfram. Vol. 8 1. ed. Leuven/Louvain : Peeters, 2008. pp. 65-78

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AB - The paper shows that the melodic material in quasi-improvised intonation melodies (echemata) in the period from c. 1200 to 1400 develop from being drawn from the traditional genres - especially the pasltikon and asmatikon - to acquiring a more free and decidely 'kalophonic' character.

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Long Intonations and Kalophonia: Traces of stylistic development in Late Byzantine Echemata

Abstract

Keywords

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