Laura Answers Back: Lord Byron, Christina Rossetti and the Canzoniere in Nineteenth-Century England

Lene Østermark-Johansen

Laura Answers Back: Lord Byron, Christina Rossetti and the Canzoniere in Nineteenth-Century England

Department of English, Germanic and Romance Studies

Abstract

This essay partly gives a brief survey of the status of the Canzoniere in nineteenth-century England when the collection was finally translated in full into English, and partly traces the significance of Laura in English literature after eighteenth-century biographies had transformed her from a vague Platonic ideal into a real, existing woman. The essay therefore traces the complex interrelationship between biography, translation, fiction and poetry and the ongoing dialogue with Petrarch in such highly self-conscious writers as Byron, Foscolo, Collins and Christina Rossetti

Original language	English
Book series	Renæssanceforum : Tidsskrift for Renæssanceforskning
Volume	3
Number of pages	17
ISSN	1604-5394
Publication status	Published - 2007

Keywords

Faculty of Humanities
Petrarch
Victorian poetry
the Canzoniere
reception studies
Anglo-Italian relations
Lord Byron
Christina Rossetti

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http://www.renaessanceforum.dk/3_2007/21_oestermark_johansen.pdf

Cite this

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title = "Laura Answers Back: Lord Byron, Christina Rossetti and the Canzoniere in Nineteenth-Century England",

abstract = "This essay partly gives a brief survey of the status of the Canzoniere in nineteenth-century England when the collection was finally translated in full into English, and partly traces the significance of Laura in English literature after eighteenth-century biographies had transformed her from a vague Platonic ideal into a real, existing woman. The essay therefore traces the complex interrelationship between biography, translation, fiction and poetry and the ongoing dialogue with Petrarch in such highly self-conscious writers as Byron, Foscolo, Collins and Christina Rossetti",

keywords = "Faculty of Humanities, Petrarch, Victorian poetry, the Canzoniere, reception studies, Anglo-Italian relations, Lord Byron, Christina Rossetti",

author = "Lene {\O}stermark-Johansen",

note = "ALBVM AMICORVM Studies in Honour of Karsten Friis-Jensen on the Occasion of his Sixtieth Birthday. Ed. Marianne Pade in collaboration with Eric Jacobsen, Hannemarie Ragn Jensen, Lene Waage Petersen, Lene Sch{\o}sler, Minna Skafte Jensen, Peter Zeeberg, Lene {\O}stermark-Johansen Contents: http://www.renaessanceforum.dk/3_2007.htm",

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PY - 2007

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N2 - This essay partly gives a brief survey of the status of the Canzoniere in nineteenth-century England when the collection was finally translated in full into English, and partly traces the significance of Laura in English literature after eighteenth-century biographies had transformed her from a vague Platonic ideal into a real, existing woman. The essay therefore traces the complex interrelationship between biography, translation, fiction and poetry and the ongoing dialogue with Petrarch in such highly self-conscious writers as Byron, Foscolo, Collins and Christina Rossetti

AB - This essay partly gives a brief survey of the status of the Canzoniere in nineteenth-century England when the collection was finally translated in full into English, and partly traces the significance of Laura in English literature after eighteenth-century biographies had transformed her from a vague Platonic ideal into a real, existing woman. The essay therefore traces the complex interrelationship between biography, translation, fiction and poetry and the ongoing dialogue with Petrarch in such highly self-conscious writers as Byron, Foscolo, Collins and Christina Rossetti

KW - Faculty of Humanities

KW - Petrarch

KW - Victorian poetry

KW - the Canzoniere

KW - reception studies

KW - Anglo-Italian relations

KW - Lord Byron

KW - Christina Rossetti

M3 - Journal article

SN - 1604-5394

VL - 3

JO - Renæssanceforum : Tidsskrift for Renæssanceforskning

JF - Renæssanceforum : Tidsskrift for Renæssanceforskning

ER -

Laura Answers Back: Lord Byron, Christina Rossetti and the Canzoniere in Nineteenth-Century England

Abstract

Keywords

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