Abstract

In this article I present two arguments concerning Seneca's tragedy Phaedra: (1) The character Phaedra is not simply a scheming, manipulative and evil woman, but rather a woman torn apart by love and fear; (2) Phaedra in the play is not a badly and incoherently portrayed character, but a convincing and realistically drawn character. The two arguments are independent, but they combine to show Phaedra as one of Seneca's best tragic creations.

Original languageEnglish
JournalClassica et Mediaevalia
Volume58
Pages (from-to)237-257
Number of pages21
ISSN0106-5815
Publication statusPublished - 2007

Keywords

  • Faculty of Humanities
  • Seneca
  • Phaedra

Fingerprint

Dive into the research topics of 'In Defence of Seneca's Phaedra'. Together they form a unique fingerprint.

Cite this