Abstract
In this article I present two arguments concerning Seneca's tragedy Phaedra: (1) The character Phaedra is not simply a scheming, manipulative and evil woman, but rather a woman torn apart by love and fear; (2) Phaedra in the play is not a badly and incoherently portrayed character, but a convincing and realistically drawn character. The two arguments are independent, but they combine to show Phaedra as one of Seneca's best tragic creations.
Original language | English |
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Journal | Classica et Mediaevalia |
Volume | 58 |
Pages (from-to) | 237-257 |
Number of pages | 21 |
ISSN | 0106-5815 |
Publication status | Published - 2007 |
Keywords
- Faculty of Humanities
- Seneca
- Phaedra