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Gender Ambivalence and The Expression of Passions in the Performances of Early Roman Cantatas by Castrati and Female Singers
Christine Jeanneret
Department of Arts and Cultural Studies
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Dive into the research topics of 'Gender Ambivalence and The Expression of Passions in the Performances of Early Roman Cantatas by Castrati and Female Singers'. Together they form a unique fingerprint.
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Arts & Humanities
Cantata
100%
Ambivalence
94%
Singers
72%
Passion
60%
Castrato
38%
Male Gaze
34%
Extravagance
33%
Medical Theory
30%
Male Body
30%
Eloquence
29%
Eroticism
28%
Performance
27%
Female Body
27%
Cruelty
26%
Improvisation
25%
Temperature
25%
Beloved
25%
Scientific Theory
24%
Solo
24%
Entertainment
24%
Lovers
23%
Discourse
22%
Cold
21%
Testimony
19%
Conventional
17%
Poetics
17%
Poem
16%
Poetry
16%
17th Century
15%