From Warfare to Lawfare: Increased Litigation and Rise of Parallel Proceedings in International Courts: A Case Study of Ukraine’s and Georgia’s Action Against the Russian Federation

TY - CHAP

T1 - From Warfare to Lawfare: Increased Litigation and Rise of Parallel Proceedings in International Courts: A Case Study of Ukraine’s and Georgia’s Action Against the Russian Federation

AU - Marchuk, Iryna

PY - 2019/1/1

Y1 - 2019/1/1

N2 - This chapter examines the benefits and pitfalls of pursuing complex litigation tactics, as well as the matters of international law underlying such disputes. In 1990 and 1991 many critics who until then had written sympathetically about politically-committed anti-Soviet belleslettres switched their attention and preferences to the literary " underground”, which was then confidently coming up to the surface and moving onto the stage of public artistic life. One of the winners, the St Petersburg Vestnik novoi literatury, edited by Mikhail Berg, is a journal for aesthetes that sets itself not only against politicized Soviet criteria, but also against realism as the traditionally dominant current in Russian art. The two strongest contenders were Ural and Volga, typical Soviet provincial literary periodicals, but which by the end of 1980s had used opportunities presented by glasnost to publish hitherto banned writers and " difficult” texts, sometimes ahead of their Moscow and Leningrad colleagues.

AB - This chapter examines the benefits and pitfalls of pursuing complex litigation tactics, as well as the matters of international law underlying such disputes. In 1990 and 1991 many critics who until then had written sympathetically about politically-committed anti-Soviet belleslettres switched their attention and preferences to the literary " underground”, which was then confidently coming up to the surface and moving onto the stage of public artistic life. One of the winners, the St Petersburg Vestnik novoi literatury, edited by Mikhail Berg, is a journal for aesthetes that sets itself not only against politicized Soviet criteria, but also against realism as the traditionally dominant current in Russian art. The two strongest contenders were Ural and Volga, typical Soviet provincial literary periodicals, but which by the end of 1980s had used opportunities presented by glasnost to publish hitherto banned writers and " difficult” texts, sometimes ahead of their Moscow and Leningrad colleagues.

M3 - Book chapter

SP - 217

EP - 234

BT - The Future of International Courts: Regional, Institutional and Procedural Challenges

A2 - Kent, Avidan

A2 - Skoutaris, Nikos

A2 - Trinidad, Jamie

PB - Routledge

ER -