Fortællingens dynamiske arkiv: Fortælleformer og narrativt begær i SKAM

Kristin Veel

doi:10.7146/ntik.v6i2.99079

Fortællingens dynamiske arkiv: Fortælleformer og narrativt begær i SKAM

Kristin Veel

Department of Arts and Cultural Studies

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Abstract

With a starting point in the success that the netdrama series SKAM has had in engaging its audience in an almost addictive relation, this article examines how the series makes use of formal techniques such as repetition, intermissions and a minute-by-minute temporality to generate what may be considered a “narrative desire”, with a classic term borrowed from literary scholar Peter Brooks. I here argue that the mode of narration that arises from the amorphous, transmedial and fan-engaging universe that is SKAM, resonates with the characteristics of the dynamic, digital archive and the particular spatial and temporal configuration, which the possibilities of digital technology create for production, storage, distribution and consumption of text, sound and images.

Original language	Danish
Journal	Nordisk Tidsskrift for Informationsvidenskab og Kulturformidling
Volume	6
Issue number	2-3
Pages (from-to)	67-74
Number of pages	8
ISSN	1604-7869
DOIs	https://doi.org/10.7146/ntik.v6i2.99079
Publication status	Published - 2017

Keywords

Faculty of Humanities

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10.7146/ntik.v6i2.99079Licence: CC BY-NC-ND

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https://tidsskrift.dk/ntik/article/view/99079Licence: CC BY-NC-ND

Cite this

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title = "Fort{\ae}llingens dynamiske arkiv: Fort{\ae}lleformer og narrativt beg{\ae}r i SKAM",

abstract = "With a starting point in the success that the netdrama series SKAM has had in engaging its audience in an almost addictive relation, this article examines how the series makes use of formal techniques such as repetition, intermissions and a minute-by-minute temporality to generate what may be considered a “narrative desire”, with a classic term borrowed from literary scholar Peter Brooks. I here argue that the mode of narration that arises from the amorphous, transmedial and fan-engaging universe that is SKAM, resonates with the characteristics of the dynamic, digital archive and the particular spatial and temporal configuration, which the possibilities of digital technology create for production, storage, distribution and consumption of text, sound and images.",

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author = "Kristin Veel",

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doi = "10.7146/ntik.v6i2.99079",

language = "Dansk",

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journal = "Nordisk Tidsskrift for Informationsvidenskab og Kulturformidling",

issn = "1604-7869",

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AB - With a starting point in the success that the netdrama series SKAM has had in engaging its audience in an almost addictive relation, this article examines how the series makes use of formal techniques such as repetition, intermissions and a minute-by-minute temporality to generate what may be considered a “narrative desire”, with a classic term borrowed from literary scholar Peter Brooks. I here argue that the mode of narration that arises from the amorphous, transmedial and fan-engaging universe that is SKAM, resonates with the characteristics of the dynamic, digital archive and the particular spatial and temporal configuration, which the possibilities of digital technology create for production, storage, distribution and consumption of text, sound and images.

KW - Det Humanistiske Fakultet

KW - fortælleformer

KW - big data

KW - SKAM

KW - narrativt begær

KW - gentagelse

KW - mellemrum

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