@inbook{2fbc618b586641c5a5b38991a9a0df7d,
title = "Counterculture",
abstract = "For a moment in the second half of the 1960s it seemed possible for political movements, youth culture and the avant-garde to merge and create a huge wave of change that would transform society. The essay traces examples of this fusion in Denmark as compared to Sweden.",
keywords = "Faculty of Humanities, counterculture, The Experimental School of Art, Leif Nyl{\'e}n, Bj{\o}rn N{\o}rgaard, H{\ae}tsjj, Tender Buttons, Hans-J{\o}rgen Nielsen, Per Kirkeby, Steppeulvene, Gallery 101, Ole Gr{\"u}nbaum, Dumping Festival for Cultural Goods, Festival 200, Alberto Melucci, oppositional spaces, Paul Gernes, Det ny Samfund (New Society), Thy Lejr (Thy Camp), Peter Louis-Jensen",
author = "Tania {\O}rum",
year = "2016",
language = "English",
isbn = "9789004310490",
series = "Avant Garde Critical Studies",
publisher = "Brill",
pages = "794--803",
editor = "Tania {\O}rum and Jesper Olsson",
booktitle = "A Cultural History of the Avant-Garde in the Nordic Countries 1950-1975",
address = "Netherlands",
}