Arnold Schoenberg's A Survivor From Warsaw (1947): Twelve-Tone Music, History of Christianity, and Judaism

Nils Holger Petersen

Arnold Schoenberg's A Survivor From Warsaw (1947): Twelve-Tone Music, History of Christianity, and Judaism

Section of Church History

Abstract

A discussion of Scoenberg's cantata about Holocaust in the context of Theodor W. Adorno's and Thomas Mann's receptions of Schoenberg's musical twelve-tone system instigated also by Ruth HaCohen's recent book The Music Libel Against the Jews (2011) and its construction of Schoenberg's creative "odyssey".

Original language	English
Title of host publication	Teologien i Historien - Historien i Teologien : Festskrift til Professor Lauge O. Nielsen
Editors	Carsten Selch Jensen, Christian Gottlieb
Number of pages	23
Place of Publication	København
Publisher	Eksistensen
Publication date	2016
Pages	255-277
ISBN (Print)	978-87-410-0088-6
Publication status	Published - 2016

Keywords

Faculty of Theology
Faculty of Humanities

Cite this

Arnold Schoenberg's A Survivor From Warsaw (1947) : Twelve-Tone Music, History of Christianity, and Judaism. / Petersen, Nils Holger.

Teologien i Historien - Historien i Teologien: Festskrift til Professor Lauge O. Nielsen. ed. / Carsten Selch Jensen; Christian Gottlieb. København : Eksistensen, 2016. p. 255-277.

Research output: Chapter in Book/Report/Conference proceeding › Book chapter › Research

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