Analytiske tilgange til Verdis musikdramaturgiske formsprog: Overvejelser med udgangspunkt i Un ballo in maschera

Jens Hesselager

Analytiske tilgange til Verdis musikdramaturgiske formsprog: Overvejelser med udgangspunkt i Un ballo in maschera

Department of Arts and Cultural Studies

Abstract

Using Verdi's Un ballo in maschera (1859) and in particular Riccardo's cavatina ‘La rivedrà nell'estasi', as its primary example, the article seeks to contribute to current discussions on how to grasp Verdi's articulation of musico-dramatic form, analytically. The article favours an approach in which historiographical concerns are incorporated centrally into the analytical enterprise. As part of that project, it also compares the musico-dramatic structure of the first part of the Introduzione of Verdi's opera with that of Auber's Gustave, ou le bal masqué (1833), on whose libretto Un ballo was based.

Original language	Danish
Book series	Musik & Forskning
Volume	31 2007
Pages (from-to)	19-43
ISSN	0903-188X
Publication status	Published - 2008

Keywords

Faculty of Humanities

Access to Document

http://kunstogkulturvidenskab.ku.dk/forskning/publikationer/musik_forskning/publikationer/musikogforskning31_2008_hesselager.pdf

Cite this

@article{009a3bb08a1f11dd9c20000ea68e967b,

title = "Analytiske tilgange til Verdis musikdramaturgiske formsprog: Overvejelser med udgangspunkt i Un ballo in maschera",

abstract = "Using Verdi's Un ballo in maschera (1859) and in particular Riccardo's cavatina {\textquoteleft}La rivedr{\`a} nell'estasi', as its primary example, the article seeks to contribute to current discussions on how to grasp Verdi's articulation of musico-dramatic form, analytically. The article favours an approach in which historiographical concerns are incorporated centrally into the analytical enterprise. As part of that project, it also compares the musico-dramatic structure of the first part of the Introduzione of Verdi's opera with that of Auber's Gustave, ou le bal masqu{\'e} (1833), on whose libretto Un ballo was based.",

keywords = "Det Humanistiske Fakultet, Verdi (Giuseppe), musikdramatik, formgivning",

author = "Jens Hesselager",

note = "p{\aa} Titelblad: Musik & Forskning, 31 2007, men udkommet i 2008",

year = "2008",

language = "Dansk",

volume = "31 2007",

pages = "19--43",

journal = "Musik & Forskning",

issn = "0903-188X",

publisher = "Koebenhavns Universitet Musikvidenskabeligt Institut",

}

TY - JOUR

T1 - Analytiske tilgange til Verdis musikdramaturgiske formsprog

T2 - Overvejelser med udgangspunkt i Un ballo in maschera

AU - Hesselager, Jens

N1 - på Titelblad: Musik & Forskning, 31 2007, men udkommet i 2008

PY - 2008

Y1 - 2008

N2 - Using Verdi's Un ballo in maschera (1859) and in particular Riccardo's cavatina ‘La rivedrà nell'estasi', as its primary example, the article seeks to contribute to current discussions on how to grasp Verdi's articulation of musico-dramatic form, analytically. The article favours an approach in which historiographical concerns are incorporated centrally into the analytical enterprise. As part of that project, it also compares the musico-dramatic structure of the first part of the Introduzione of Verdi's opera with that of Auber's Gustave, ou le bal masqué (1833), on whose libretto Un ballo was based.

AB - Using Verdi's Un ballo in maschera (1859) and in particular Riccardo's cavatina ‘La rivedrà nell'estasi', as its primary example, the article seeks to contribute to current discussions on how to grasp Verdi's articulation of musico-dramatic form, analytically. The article favours an approach in which historiographical concerns are incorporated centrally into the analytical enterprise. As part of that project, it also compares the musico-dramatic structure of the first part of the Introduzione of Verdi's opera with that of Auber's Gustave, ou le bal masqué (1833), on whose libretto Un ballo was based.

KW - Det Humanistiske Fakultet

KW - Verdi (Giuseppe)

KW - musikdramatik

KW - formgivning

M3 - Tidsskriftartikel

SN - 0903-188X

VL - 31 2007

SP - 19

EP - 43

JO - Musik & Forskning

JF - Musik & Forskning

ER -