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A psychology of the film
Ed S. Tan
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Corresponding author for this work
Department of Communication
4
Citations (Scopus)
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Arts & Humanities
1910s
5%
Aesthetics
4%
Agenda
3%
Art
2%
Art Form
4%
Bottom-up
18%
Cinema
6%
Computational
4%
Computer Vision
6%
Critical Analysis
4%
Cultural Institutions
5%
Direct Perception
6%
Emotion
3%
Film Audiences
6%
Film Production
5%
Film Studies
5%
Gestalt
5%
History of Film
5%
Incomplete
4%
Indispensability
6%
Interaction
2%
Life Sciences
5%
Media Studies
5%
Motion pictures
5%
Movies
15%
Narration
4%
Neuroscience
4%
Psychological Research
5%
Psychologists
15%
Psychology
62%
Real World
4%
Riddles
5%
Seeing-in
5%
Social Sciences
3%
Stimulus
3%
Storytelling
5%
Top-down
19%
Viewer
11%
Visual Stimuli
5%
Medicine & Life Sciences
Art
16%
Biological Science Disciplines
8%
Cues
6%
Esthetics
6%
Humanities
21%
Motion Pictures
100%
Narration
11%
Neurosciences
7%
Psychology
62%
Research Personnel
4%
Social Sciences
8%
Business & Economics
Agenda
3%
Art
4%
Bottom-up
16%
Cinema
3%
Computer Vision
5%
Current Account
4%
Emotion
2%
Gestalt
4%
Incomplete Information
3%
Integrated
2%
Interaction
2%
Life Sciences
4%
Motion pictures
5%
Movies
13%
Neuroscience
4%
Psychological
2%
Psychology
83%
Social Sciences
3%
Storytelling
3%
Top-down
12%
Top-down Approach
4%
Social Sciences
aesthetics
3%
art
5%
cinema
4%
comprehension
9%
cultural institution
4%
current account
6%
event
2%
experience
7%
feature film
5%
film production
5%
genre
3%
history
2%
interaction
1%
life sciences
4%
movies
12%
narration
4%
neurosciences
3%
present
2%
psychologist
13%
psychology
64%
social science
2%
stimulus
6%