Urban, ethnic, provincial: Anticipations of audience preferences in Danish film funding and production

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Abstract

This article explores how professional and public stakeholders in the development of film projects negotiate economic and symbolic risk related to representation of minorities and geographical peripheries in Denmark, and situates these negotiations within the Danish public sphere and the contemporary subsidy and production system. The main argument is on the one hand, that the national cinema potentially works as an arena for social inclusion; on the other, anxiety related to economic and symbolic risk, which promotes industry myths and postulates about target groups put constraints on expressions. The identified reluctance to risk-taking is not only relevant to the question of socio-cultural representation behind and in front of the camera, but also to the question of the state’s affordances of creating a space for creative autonomy.
OriginalsprogEngelsk
TidsskriftJournal of Scandinavian Cinema
Vol/bind4
Udgave nummer2
Sider (fra-til)133-148
Antal sider16
ISSN2042-7891
DOI
StatusUdgivet - 2014

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