The world goes modern : new globalized framings of the postwar era in the contemporary exhibitions After Year Zero and The World Goes Pop

Kristian Handberg

doi:10.3402/jac.v8.30925

The world goes modern : new globalized framings of the postwar era in the contemporary exhibitions After Year Zero and The World Goes Pop

Bidragets oversatte titel: Det verdensomspændende moderne: nye globaliserede læsninger af efterkrigstiden i de aktuelle udstillinger After Year Zero og The World Goes Pop

Kristian Handberg

Institut for Kunst- og Kulturvidenskab

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Abstract

The article analyzes the contemporary art historical focus on multiple modernities through two significant exhibitions: After Year Zero at Haus der Kulturen der Welt, Berlin 2013/Museum of Modern Art, Warsaw 2015 and The World Goes Pop, Tate Modern, London (2015). These different exhibitions are aimed at re-reading the post-1945 era in a global context, discussing how arts and culture responded to a global modernity. The article emphasizes the overlapping interests in this by academic art history and criticism as well as museal and curatorial efforts and discusses the idea of curatorial research in these different approaches.

Bidragets oversatte titel	Det verdensomspændende moderne: nye globaliserede læsninger af efterkrigstiden i de aktuelle udstillinger After Year Zero og The World Goes Pop
Originalsprog	Engelsk
Tidsskrift	Journal of Aesthetics and Culture
Vol/bind	8
Antal sider	13
ISSN	2000-4214
DOI	https://doi.org/10.3402/jac.v8.30925
Status	Udgivet - 29 apr. 2016

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10.3402/jac.v8.30925

The world goes modern new globalized framings of the postwar era in the contemporary exhibitions After Year Zero and The World Goes PopForlagets udgivne version, 1,62 MB

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