Abstract
The ancient Egyptian god Osiris was represented in iconic forms in temple reliefs and statues, in semi-iconic form in the so-called corn-Osiris or Osiris-bed, and in aniconic form as the Djed-pillar. All three variations in iconicity are ritual representations of the god and somehow claim his real presence: the temple reliefs by (textually transmitted) conventions, the corn-Osiris by the real, sprouting corn that fills the Osiris outline or form, and the Djed-pillar by the very universality and immense potential of denoting without (yet) depicting or narrating. The synchronous occurrence of these degrees of iconicity illustrates aniconism as a rhetorical option, a matter of ritual design, not a cognitive or theological stage in the evolution of mankind.
Originalsprog | Engelsk |
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Tidsskrift | Religion |
Vol/bind | 47 |
Sider (fra-til) | 366-377 |
Antal sider | 12 |
ISSN | 0048-721X |
Status | Udgivet - 3 jul. 2017 |
Emneord
- Det Humanistiske Fakultet
- Religionshistorie
- anikonisk repræsentation
- djed-søjle
- kornosiris