Abstract
This article presents a theory of the materiality of color which derives in part from the non-denotative approach to signification opened by the Symbolist poets' experimentation with the sensory qualities of language. Its specific focus is on the connotative power of various uses of indigo.
| Originalsprog | Engelsk |
|---|---|
| Artikelnummer | 9 |
| Tidsskrift | Senses and Society |
| Vol/bind | 8 |
| Udgave nummer | 2 |
| Sider (fra-til) | 223-231 |
| ISSN | 1745-8927 |
| Status | Udgivet - jul. 2013 |
Emneord
- Det Humanistiske Fakultet