The Ghost of Grandeur: Home in French Cinema from Truffaut to Haneke

1 Citationer (Scopus)

Abstract

Carsten Meiner analyses a series of classic French films, from Truffaut to Haneke, and their uses of the home with respect to the relation between grandeur and individuality. Homes thus become problematizing mediators between individuals and national grandeur, and together the films form a historical series of quite consistent albeit surprising articulations of the metabolism of life in national grandeur. This focus on the home leads to reflections on the problems of the idea of "represented nationalism" in cinema.

OriginalsprogEngelsk
TidsskriftHome Cultures
Vol/bind14
Udgave nummer1
Sider (fra-til)7-24
Antal sider18
ISSN1740-6315
DOI
StatusUdgivet - jun. 2017

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