Seeing through Spirits: Superimposition, Cognition, and The Phantom Carriage

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Abstract

Superimposition was long a popular technique for showing ghosts in films. Through the example of Victor Sjöström's film Körkarlen (The Phantom Carriage, 1921), this article examines the technique and its critical reception. André Bazin wrote an important essay on superimposition (first published in 1945) where he dismissed the use of double exposure to depict ghosts in films. The article examines Bazin's remarks in detail. The credibility-and the fraudulent associations-of multiple-exposure effects may derive from their similarity to spirit photography, but the article also argues that our understanding of superimposed phantoms may be enhanced if we draw on the cognitive study of religion.

OriginalsprogEngelsk
TidsskriftFilm History
Vol/bind28
Udgave nummer2
Sider (fra-til)114–141
Antal sider28
ISSN0892-2160
DOI
StatusUdgivet - 1 aug. 2016

Emneord

  • Det Humanistiske Fakultet

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