Abstract
This paper traces the history of a Japanese-funded annex to the Van Gogh Museum in Amsterdam over the past twenty-five years. The analysis focuses on three key years in the building’s history: 1991, 1999, and 2015. Critically examining public debate and media coverage of the building in contemporary Dutch- and Japanese-language sources, I argue that changing claims and public perceptions of Japan reflected the country’s shifting economic fortunes and international position during the period. The sources consistently framed the Japanese-designed building within a language of dreams. However, the dreams gradually transformed from desires and nostalgic projections to sleepiness and inactivity. Japan, and the annex as its symbolic embodiment, remained a ‘place of dreams’, but the nature of those ‘dreams’ changed dramatically over the period studied.
Originalsprog | Engelsk |
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Tidsskrift | Museum History Journal |
Vol/bind | 11 |
Udgave nummer | 1 |
Sider (fra-til) | 76-93 |
Antal sider | 18 |
DOI | |
Status | Udgivet - 2 jan. 2018 |
Emneord
- Det Samfundsvidenskabelige Fakultet
- Architecture
- Europe
- Globalisation
- Japan
- Japonisme
- Museum
- public debate
- Vincent van Gogh