Japanese dreams: Kurokawa Kishō’s annex to the Van Gogh Museum and its later re-appropriation

    2 Citationer (Scopus)

    Abstract

    This paper traces the history of a Japanese-funded annex to the Van Gogh Museum in Amsterdam over the past twenty-five years. The analysis focuses on three key years in the building’s history: 1991, 1999, and 2015. Critically examining public debate and media coverage of the building in contemporary Dutch- and Japanese-language sources, I argue that changing claims and public perceptions of Japan reflected the country’s shifting economic fortunes and international position during the period. The sources consistently framed the Japanese-designed building within a language of dreams. However, the dreams gradually transformed from desires and nostalgic projections to sleepiness and inactivity. Japan, and the annex as its symbolic embodiment, remained a ‘place of dreams’, but the nature of those ‘dreams’ changed dramatically over the period studied.
    OriginalsprogEngelsk
    TidsskriftMuseum History Journal
    Vol/bind11
    Udgave nummer1
    Sider (fra-til)76-93
    Antal sider18
    DOI
    StatusUdgivet - 2 jan. 2018

    Emneord

    • Det Samfundsvidenskabelige Fakultet
    • Architecture
    • Europe
    • Globalisation
    • Japan
    • Japonisme
    • Museum
    • public debate
    • Vincent van Gogh

    Fingeraftryk

    Dyk ned i forskningsemnerne om 'Japanese dreams: Kurokawa Kishō’s annex to the Van Gogh Museum and its later re-appropriation'. Sammen danner de et unikt fingeraftryk.

    Citationsformater