In the Madman's Shoes: Getting Ready for the Asylum in Dostoevsky’s The Double

Christian Erik J Kock

In the Madman's Shoes: Getting Ready for the Asylum in Dostoevsky’s The Double

Institut for Kommunikation

Abstract

Dostoevsky’s The Double puts the reader in the shoes of a marginalized underdog who may or may not be going mad: Mr. Golyadkin, outfoxed and ousted by his apparently shameless double, slides into a state of delusional contradictions and/or persecution--and, thanks to the narrator’s rhetorical strategies, so does the reader.
In Dostoevsky’s early novel The Double (1848), uncanny tricks are played not just on the protagonist, the cowed underdog Mr Golyadkin, but also on the reader. Golyadkin, gradually outfoxed and ousted by his shameless double, experiences a gradual dissolution of his world and an inexorable slide into an ambiguous state of delusion and/or real persecution; but the reader too, owing to rhetorical tricks played by Dostoevsky’s narrator, is drawn into a semi-delusional world full of doubts, ambiguities and outright impossible contradictions. By subtle degrees, we readers come to experience, from inside, the same world as the hapless protagonist as he is taken away to the lunatic asylum—make of that what we will.

Originalsprog	Engelsk
Publikationsdato	4 jul. 2017
Status	Udgivet - 4 jul. 2017
Begivenhed	The Sixth “Rhetoric in Society” Conference of the Rhetoric Society of Europe: Rhetorics of Unity and Division - University of East Anglia, Norwich, Storbritannien Varighed: 3 jul. 2017 → 5 jul. 2017

Konference

Konference	The Sixth “Rhetoric in Society” Conference of the Rhetoric Society of Europe
Lokation	University of East Anglia
Land/Område	Storbritannien
By	Norwich
Periode	03/07/2017 → 05/07/2017

Citationsformater

@conference{1320bd63bc524cb08c31a5d219be3f66,

title = "In the Madman's Shoes: Getting Ready for the Asylum in Dostoevsky{\textquoteright}s The Double ",

abstract = "Dostoevsky{\textquoteright}s The Double puts the reader in the shoes of a marginalized underdog who may or may not be going mad: Mr. Golyadkin, outfoxed and ousted by his apparently shameless double, slides into a state of delusional contradictions and/or persecution--and, thanks to the narrator{\textquoteright}s rhetorical strategies, so does the reader.In Dostoevsky{\textquoteright}s early novel The Double (1848), uncanny tricks are played not just on the protagonist, the cowed underdog Mr Golyadkin, but also on the reader. Golyadkin, gradually outfoxed and ousted by his shameless double, experiences a gradual dissolution of his world and an inexorable slide into an ambiguous state of delusion and/or real persecution; but the reader too, owing to rhetorical tricks played by Dostoevsky{\textquoteright}s narrator, is drawn into a semi-delusional world full of doubts, ambiguities and outright impossible contradictions. By subtle degrees, we readers come to experience, from inside, the same world as the hapless protagonist as he is taken away to the lunatic asylum—make of that what we will. ",

author = "Kock, {Christian Erik J}",

year = "2017",

month = jul,

day = "4",

language = "English",

note = "The Sixth “Rhetoric in Society” Conference of the Rhetoric Society of Europe : Rhetorics of Unity and Division ; Conference date: 03-07-2017 Through 05-07-2017",

}

TY - CONF

T1 - In the Madman's Shoes

T2 - The Sixth “Rhetoric in Society” Conference of the Rhetoric Society of Europe

AU - Kock, Christian Erik J

PY - 2017/7/4

Y1 - 2017/7/4

N2 - Dostoevsky’s The Double puts the reader in the shoes of a marginalized underdog who may or may not be going mad: Mr. Golyadkin, outfoxed and ousted by his apparently shameless double, slides into a state of delusional contradictions and/or persecution--and, thanks to the narrator’s rhetorical strategies, so does the reader.In Dostoevsky’s early novel The Double (1848), uncanny tricks are played not just on the protagonist, the cowed underdog Mr Golyadkin, but also on the reader. Golyadkin, gradually outfoxed and ousted by his shameless double, experiences a gradual dissolution of his world and an inexorable slide into an ambiguous state of delusion and/or real persecution; but the reader too, owing to rhetorical tricks played by Dostoevsky’s narrator, is drawn into a semi-delusional world full of doubts, ambiguities and outright impossible contradictions. By subtle degrees, we readers come to experience, from inside, the same world as the hapless protagonist as he is taken away to the lunatic asylum—make of that what we will.

AB - Dostoevsky’s The Double puts the reader in the shoes of a marginalized underdog who may or may not be going mad: Mr. Golyadkin, outfoxed and ousted by his apparently shameless double, slides into a state of delusional contradictions and/or persecution--and, thanks to the narrator’s rhetorical strategies, so does the reader.In Dostoevsky’s early novel The Double (1848), uncanny tricks are played not just on the protagonist, the cowed underdog Mr Golyadkin, but also on the reader. Golyadkin, gradually outfoxed and ousted by his shameless double, experiences a gradual dissolution of his world and an inexorable slide into an ambiguous state of delusion and/or real persecution; but the reader too, owing to rhetorical tricks played by Dostoevsky’s narrator, is drawn into a semi-delusional world full of doubts, ambiguities and outright impossible contradictions. By subtle degrees, we readers come to experience, from inside, the same world as the hapless protagonist as he is taken away to the lunatic asylum—make of that what we will.

M3 - Paper

Y2 - 3 July 2017 through 5 July 2017

ER -

In the Madman's Shoes: Getting Ready for the Asylum in Dostoevsky’s The Double

Abstract

Konference

Fingeraftryk

Citationsformater