Abstract
In this paper I discuss history and memory from a theoretical and philosophical point of view and the non-fiction and fiction aspects of historical representation. I use Edgar Reitz’ monumental work Heimat 1-3 (and his recent film Die Andere Heimat) as examples of very different transformative historical narratives. In terms of narrative construction and aesthetic form the Heimat-project challenges the dominant forms of historical fiction. By combining personal memory, everyday life
and collective memory and a more indirect way of representing factual history Reitz wants to transform our look at German history.
and collective memory and a more indirect way of representing factual history Reitz wants to transform our look at German history.
Originalsprog | Engelsk |
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Publikationsdato | 2 maj 2015 |
Antal sider | 17 |
Status | Udgivet - 2 maj 2015 |
Begivenhed | Film, Democracy and Liberal Education - Princeton University, University Center for Human Values, Princeton, USA Varighed: 30 apr. 2015 → 2 maj 2015 |
Konference
Konference | Film, Democracy and Liberal Education |
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Lokation | Princeton University, University Center for Human Values |
Land/Område | USA |
By | Princeton |
Periode | 30/04/2015 → 02/05/2015 |
Emneord
- Det Humanistiske Fakultet
- Film history, television
- German cinema
- cognitive film theory
- memory and history