Frozen style and strong emotions of panic and separation: Trier's prologues to Antichrist and Melancholia

Torben Kragh Grodal

doi:10.1386/jsca.2.1.47_1

Frozen style and strong emotions of panic and separation: Trier's prologues to Antichrist and Melancholia

Bidragets oversatte titel: Frossen stil og stærke panik-og-adskillelsesfølelser: Triers prologer til Antichrist og Melancholia

Torben Kragh Grodal

Institut for Kommunikation

Abstract

The article analyses the aesthetics of two Trier prologues using cognitive psychology. It focuses on how the films evoke anxiety and panic, and how the panic is contained by means of providing visual and musical aesthetic order to the dynamic emotional forces; by providing ambiguous reality indicatiors; and by cueing sublime submission to fate

Bidragets oversatte titel	Frossen stil og stærke panik-og-adskillelsesfølelser: Triers prologer til Antichrist og Melancholia
Originalsprog	Engelsk
Tidsskrift	Journal of Scandinavian Cinema
Vol/bind	2
Udgave nummer	1
Sider (fra-til)	47-53
Antal sider	7
ISSN	2042-7891
DOI	https://doi.org/10.1386/jsca.2.1.47_1
Status	Udgivet - 2012

Emneord

Det Humanistiske Fakultet
Lars von Trier
film aesthetics
cognitive film theory
anxiety

Adgang til dokumentet

10.1386/jsca.2.1.47_1

Citationsformater

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