TY - BOOK
T1 - Creating and Consuming the American South
A2 - Bone, Martyn Richard
A2 - Ward, Brian
A2 - Link, William
N1 - Overview
"This wide-ranging volume reminds us consistently that the U.S. South has always been an invention but one that exerts uncanny mobility across multiple borders and histories."--Melanie Benson Taylor, author of Reconstructing the Native South: American Indian Literature and the Lost Cause
"The quality and variety of the essays, the intelligent introduction, the rich topic, and the suggestive perspective add up to an important volume. It furthers thinking and analysis of the south in world context and theoretical dimensions."--James L. Peacock, author of Grounded Globalism: How the U.S. South Embraces the World
This book explores how an eclectic selection of narratives and images of the American South have been created and consumed. The thirteen essays move beyond both traditional accounts of southern identity as either declining or enduring, and more recent postmodernist accounts of the South as imagined or invented. Instead, the contributors emphasize how narratives and images of "the South" have real social, political, and economic ramifications, and that they register at various local, regional, national, and transnational scales.
Featuring distinguished scholars writing from a wide range of multi- and interdisciplinary perspectives--history, literary studies, performance studies, popular music, and queer studies--the volume both challenges and expands on established understandings of how, when, where, and why ideas of the South have been developed and disseminated.
Martyn Bone is associate professor of American literature at the University of Copenhagen. Brian Ward is professor in American studies at Northumbria University. William A. Link is Richard J. Milbauer Professor of History at the University of Florida. They are coeditors of Creating Citizenship in the Nineteenth-Century South and The American South and the Atlantic World.
PY - 2015/1/1
Y1 - 2015/1/1
N2 - Stories of decline, endurance, invasion, and resistance have shaped southern identity. Whether they originate in chambers of commerce, neo-Confederate websites, jazz songs, or forces outside the region, the narratives and images that give shape to “the South” have real social, political, and economic ramifications.Featuring interdisciplinary contributions from distinguished scholars, this volume explores how such narratives and images have been produced and how they have shaped perceptions about the South and southernness that register at various local, regional, national, and transnational scales. By approaching the subject through a variety of lenses, including American and queer studies, performance art, and music, these essays challenge and expand on the established understanding of how, when, where, and why ideas of the South have been developed and disseminated.
AB - Stories of decline, endurance, invasion, and resistance have shaped southern identity. Whether they originate in chambers of commerce, neo-Confederate websites, jazz songs, or forces outside the region, the narratives and images that give shape to “the South” have real social, political, and economic ramifications.Featuring interdisciplinary contributions from distinguished scholars, this volume explores how such narratives and images have been produced and how they have shaped perceptions about the South and southernness that register at various local, regional, national, and transnational scales. By approaching the subject through a variety of lenses, including American and queer studies, performance art, and music, these essays challenge and expand on the established understanding of how, when, where, and why ideas of the South have been developed and disseminated.
M3 - Anthology
SN - 978-0-8130-6069-9
BT - Creating and Consuming the American South
PB - University Press of Florida
CY - Gainesville
ER -