Communicative Functions of Performer Expressiveness and Their Artistic and Aesthetic Aspects: Analysis of a Scene from Smiles of a Summer Night

Johannes Riis

doi:10.3167/proj.2017.110204

Communicative Functions of Performer Expressiveness and Their Artistic and Aesthetic Aspects: Analysis of a Scene from Smiles of a Summer Night

Bidragets oversatte titel: Kommunikative funktioner af skuespillerens ekspressivitet og deres kunstneriske og æstetiske egenskaber: Analyse af scene fra Sommarnattens leende

Johannes Riis

Institut for Kommunikation

1 Citationer (Scopus)

15 Downloads (Pure)

Abstract

En diskussion af forskellige emotionsteori, med hver deres fokus, samt en analyse af en scene fra Ingmar Bergmans Sommarnattens leende (1954) med henblik på replikbehandling og spillestil.

Bidragets oversatte titel	Kommunikative funktioner af skuespillerens ekspressivitet og deres kunstneriske og æstetiske egenskaber: Analyse af scene fra Sommarnattens leende
Originalsprog	Engelsk
Tidsskrift	Projections: The Journal for Movies and Mind
Vol/bind	11
Udgave nummer	2
Sider (fra-til)	49-66
Antal sider	18
ISSN	1934-9688
DOI	https://doi.org/10.3167/proj.2017.110204
Status	Udgivet - 1 dec. 2017

Emneord

Det Humanistiske Fakultet

Adgang til dokumentet

10.3167/proj.2017.110204

Citationsformater

@article{eba8ce34df6a4e57958bc41c1ddbd3b8,

title = "Communicative Functions of Performer Expressiveness and Their Artistic and Aesthetic Aspects: Analysis of a Scene from Smiles of a Summer Night",

abstract = "In order to understand the functions of performer expressiveness in film narratives, we need to draw on multiple conceptualizations of emotions. By viewing emotions in terms of their objects, rather than of their distinct expressions, we may understand how, for example, a pause during line delivery can suggest rich character emotions. In an analysis of an Ingmar Bergman scene from Smiles of a Summer Night (1955), I show how acting styles serve different purposes, such as invoking emotional implications of what has been put in place in the narrative. I discuss how artistic constraints and aesthetic considerations, such as acting norms and the need for balance among parts, provides a supplementary explanation of performer expressiveness.",

keywords = "Faculty of Humanities, acting, analysis of style, Ingmar Bergman, Margit Carlqvist, Ulla Jacobsson, universality of expressions",

author = "Johannes Riis",

year = "2017",

month = dec,

day = "1",

doi = "10.3167/proj.2017.110204",

language = "English",

volume = "11",

pages = "49--66",

journal = "Projections: The Journal for Movies and Mind",

issn = "1934-9688",

publisher = "Berghahn Books",

number = "2",

}

TY - JOUR

T1 - Communicative Functions of Performer Expressiveness and Their Artistic and Aesthetic Aspects

T2 - Analysis of a Scene from Smiles of a Summer Night

AU - Riis, Johannes

PY - 2017/12/1

Y1 - 2017/12/1

N2 - In order to understand the functions of performer expressiveness in film narratives, we need to draw on multiple conceptualizations of emotions. By viewing emotions in terms of their objects, rather than of their distinct expressions, we may understand how, for example, a pause during line delivery can suggest rich character emotions. In an analysis of an Ingmar Bergman scene from Smiles of a Summer Night (1955), I show how acting styles serve different purposes, such as invoking emotional implications of what has been put in place in the narrative. I discuss how artistic constraints and aesthetic considerations, such as acting norms and the need for balance among parts, provides a supplementary explanation of performer expressiveness.

AB - In order to understand the functions of performer expressiveness in film narratives, we need to draw on multiple conceptualizations of emotions. By viewing emotions in terms of their objects, rather than of their distinct expressions, we may understand how, for example, a pause during line delivery can suggest rich character emotions. In an analysis of an Ingmar Bergman scene from Smiles of a Summer Night (1955), I show how acting styles serve different purposes, such as invoking emotional implications of what has been put in place in the narrative. I discuss how artistic constraints and aesthetic considerations, such as acting norms and the need for balance among parts, provides a supplementary explanation of performer expressiveness.

KW - Faculty of Humanities

KW - acting

KW - analysis of style

KW - Ingmar Bergman

KW - Margit Carlqvist

KW - Ulla Jacobsson

KW - universality of expressions

U2 - 10.3167/proj.2017.110204

DO - 10.3167/proj.2017.110204

M3 - Journal article

SN - 1934-9688

VL - 11

SP - 49

EP - 66

JO - Projections: The Journal for Movies and Mind

JF - Projections: The Journal for Movies and Mind

IS - 2

ER -

Communicative Functions of Performer Expressiveness and Their Artistic and Aesthetic Aspects: Analysis of a Scene from Smiles of a Summer Night

Abstract

Emneord

Adgang til dokumentet

Fingeraftryk

Citationsformater