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A psychology of the film
Ed S. Tan
*
*
Corresponding author af dette arbejde
Institut for Kommunikation
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Alfabetisk
Kunst og humaniora
Psychology
62%
Top-down
19%
Bottom-up
18%
Movies
15%
Psychologists
15%
Viewer
11%
Computer Vision
6%
Film Audiences
6%
Direct Perception
6%
Cinema
6%
Indispensability
6%
Visual Stimuli
5%
Storytelling
5%
Life Sciences
5%
History of Film
5%
Seeing-in
5%
Film Production
5%
1910s
5%
Cultural Institutions
5%
Media Studies
5%
Motion pictures
5%
Film Studies
5%
Gestalt
5%
Psychological Research
5%
Riddles
5%
Aesthetics
4%
Critical Analysis
4%
Art Form
4%
Real World
4%
Narration
4%
Incomplete
4%
Neuroscience
4%
Computational
4%
Agenda
3%
Social Sciences
3%
Emotion
3%
Stimulus
3%
Interaction
2%
Art
2%
Medicin og biovidenskab
Motion Pictures
100%
Psychology
62%
Humanities
21%
Art
16%
Narration
11%
Biological Science Disciplines
8%
Social Sciences
8%
Neurosciences
7%
Esthetics
6%
Cues
6%
Research Personnel
4%
Erhverv og økonomi
Psychology
83%
Bottom-up
16%
Movies
13%
Top-down
12%
Motion pictures
5%
Computer Vision
5%
Top-down Approach
4%
Neuroscience
4%
Life Sciences
4%
Gestalt
4%
Current Account
4%
Art
4%
Incomplete Information
3%
Storytelling
3%
Agenda
3%
Social Sciences
3%
Cinema
3%
Psychological
2%
Emotion
2%
Integrated
2%
Interaction
2%
Samfundsvidenskab
psychology
64%
psychologist
13%
movies
12%
comprehension
9%
experience
7%
stimulus
6%
current account
6%
film production
5%
feature film
5%
art
5%
cultural institution
4%
cinema
4%
narration
4%
life sciences
4%
neurosciences
3%
aesthetics
3%
genre
3%
social science
2%
event
2%
present
2%
history
2%
interaction
1%