TY - BOOK
T1 - Time in the Making
T2 - Rehearsing Reparative Critical Practices
AU - Dirckinck-Holmfeld, Katrine Remmen
PY - 2015
Y1 - 2015
N2 - How to create reparative critical practices (Eve Kosofsky Sedgwick) as an accumulative, historically dense,
collective exploration of fragments, which are styled into assemblages? What is the “ontology” of the
reparative critical practice as artistic practice and an image in itself?
These are research questions Katrine Dirckinck
-
Holmfeld explores in the artistic research project Time in
the Making: Rehearsing Reparative Critical Practices. Through the development of video installations Leap
into Colour (20
12
-
2015) and movement (2012) and in dialogue with the work of artists Rania & Raed Rafei,
Julie Ault and the cabaret Metro Al Madina in Beirut, Time in the Making investigates how to shift
Sedgwick’s concept of the reparative practice from a hermeneutic reading practice to artistic practices and
an image in itself.
Time in the Making articulates an understanding of the reparative as artistic practices that style new forms
of subjectivity through a complex engagement with affect, materiality and time. The Ph
D project
contributes to the “reparative turn” in queer feminist scholarship (Robyn Wiegman) by interweaving
reparative critical practices with artistic research, as an emerging field in Denmark as well as internationally
to style new forms of critical inq
uiry.
Link to PhD thesis,
https://www.dropbox.com/sh/qtnmjz6w5t056oj/AADb_dC8z43LaBIQdydj
-
y13a?dl=0
Link to video: Leap into Colour,
https://vimeo.com/131082332
-
Password: armand
AB - How to create reparative critical practices (Eve Kosofsky Sedgwick) as an accumulative, historically dense,
collective exploration of fragments, which are styled into assemblages? What is the “ontology” of the
reparative critical practice as artistic practice and an image in itself?
These are research questions Katrine Dirckinck
-
Holmfeld explores in the artistic research project Time in
the Making: Rehearsing Reparative Critical Practices. Through the development of video installations Leap
into Colour (20
12
-
2015) and movement (2012) and in dialogue with the work of artists Rania & Raed Rafei,
Julie Ault and the cabaret Metro Al Madina in Beirut, Time in the Making investigates how to shift
Sedgwick’s concept of the reparative practice from a hermeneutic reading practice to artistic practices and
an image in itself.
Time in the Making articulates an understanding of the reparative as artistic practices that style new forms
of subjectivity through a complex engagement with affect, materiality and time. The Ph
D project
contributes to the “reparative turn” in queer feminist scholarship (Robyn Wiegman) by interweaving
reparative critical practices with artistic research, as an emerging field in Denmark as well as internationally
to style new forms of critical inq
uiry.
Link to PhD thesis,
https://www.dropbox.com/sh/qtnmjz6w5t056oj/AADb_dC8z43LaBIQdydj
-
y13a?dl=0
Link to video: Leap into Colour,
https://vimeo.com/131082332
-
Password: armand
M3 - Ph.D. thesis
BT - Time in the Making
PB - Det Humanistiske Fakultet, Københavns Universitet
ER -