The Poster As a Curatorial Challenge

Line Hjorth Christensen

The Poster As a Curatorial Challenge

Line Hjorth Christensen

Department of Nordic Studies and Linguistics

Abstract

This paper investigates the poster media from a curatorial perspective, focusing on the shift that occurs when posters are torn loose of their original living context and exhibited in museums. The shift is of a general museological relevance, however, is reinforced by posters’ distinct communicative and “visual aggressive” kind (Sontag 1970) and strong dependence on its environments. Applying an ecological view to design, mainly the semiotic notion of ‘counterability’ (Krampen, 2002) and the reciprocal relationship of humans and their built and product-designed environments, I suggest counterability to be a viable option for curatorial work. The concept is unfolded in a case study of a recent exhibition on British posters of the interwar years, held in 2015/16 at the Danish Poster Museum in the open air museum Den Gamle By in Aarhus, which I curated in collaboration with graphic designer Michael Jensen.

Originalsprog	Engelsk
Publikationsdato	22 nov. 2016
Antal sider	8
Status	Udgivet - 22 nov. 2016
Begivenhed	15th NORDCODE Seminar: - on design and its mediations - SDU, Kolding, Danmark Varighed: 22 nov. 2016 → 24 nov. 2016 Konferencens nummer: 15 http://www.nordcode.net

Konference

Konference	15th NORDCODE Seminar
Nummer	15
Lokation	SDU
Land/Område	Danmark
By	Kolding
Periode	22/11/2016 → 24/11/2016
Internetadresse	http://www.nordcode.net

Emneord

Det Humanistiske Fakultet
posters, poster collections, graphic design, curating, ecological semiotics

Adgang til dokumentet

http://www.sdu.dk/en/om_sdu/institutter_centre/idk/arrangementer/nordcode/papers

Citationsformater

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AB - This paper investigates the poster media from a curatorial perspective, focusing on the shift that occurs when posters are torn loose of their original living context and exhibited in museums. The shift is of a general museological relevance, however, is reinforced by posters’ distinct communicative and “visual aggressive” kind (Sontag 1970) and strong dependence on its environments. Applying an ecological view to design, mainly the semiotic notion of ‘counterability’ (Krampen, 2002) and the reciprocal relationship of humans and their built and product-designed environments, I suggest counterability to be a viable option for curatorial work. The concept is unfolded in a case study of a recent exhibition on British posters of the interwar years, held in 2015/16 at the Danish Poster Museum in the open air museum Den Gamle By in Aarhus, which I curated in collaboration with graphic designer Michael Jensen.

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M3 - Paper

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ER -

The Poster As a Curatorial Challenge

Abstract

Konference

Emneord

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Citationsformater