Abstract
The present article questions the construction of 'the contemporary' in digital cultural heritage archives as specific strategic articulations between past and present with regard to the future. A historical exploration of the discourse of cultural heritage presents three strategic axes supposedly executed by the archive. Via a fourfold problematisation of the notion of the contemporary these axes are further developed with regard to W.J.T. Mitchell and Georges Didi-Huberman's respective readings of Warburg's Atlas Mnemosyne and Malraux's Musée imaginaire. The article finally questions the possibility of ascribing inherent epistemological, existential, empirical and geopolitical force to a given technological archival order. - See more at: http://twentyfour.fibreculturejournal.org/2015/06/04/fcj-174-constructing-the-contemporary-via-digital-cultural-heritage/#sthash.sNhW8uuA.dpuf
| Originalsprog | Engelsk |
|---|---|
| Tidsskrift | The Fibreculture Journal |
| Udgave nummer | 24 |
| Sider (fra-til) | 33-58 |
| ISSN | 1449-1443 |
| Status | Udgivet - jul. 2015 |